Sources: CNN, Bureau of Labor Statistics.
]]>Democracy Now! aired an hour-long tribute this morning. If you subscribe to Netflix, you can watch this documentary on his life and work. There’s more audio, video, and text at howardzinn.org.
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The Society of Typographic Aficionados is calling for designers to submit a black and white "ampersand" icon to build a collaborative font that will be sold to raise funds for relief efforts in Haiti. Previous Font Aid fonts have benefitted UNICEF to help war and disaster refugees, victims of the September 11 tragedies in the US, and relief efforts in countries affected by the Indian Ocean earthquake and tsunamis.]]>Breezy, enjoyable 20 minute talk on competing infographics in the US health care debate, as well as a few graphical tricks and traps.
]]>While the conflict in Israel and Palestine is a war for dominance, territory, hearts and minds, it is also a war on, and of, the built environment: bulldozing and bombing homes, laying and rerouting roads, checkpoints, the separation wall, and, of course, the settlements.
After the Israeli assault on Gaza that began in December 2008, the Israeli army banned the import of cement. This is particularly pressing since homes, hospitals, schools, water networks cannot be rebuilt.
While some are designing around the ban, developing mud brick architecture and off-grid lighting systems, other activists have flouted the ban sending Gaza cement themselves. And though Israel eased a total ban on construction materials in late July, only 41 truckloads of construction materials were allowed to enter Gaza in 2009. Thousands more are needed.
Last week, on the anniversary of the assault, a group of sixteen human rights and humanitarian organizations accused the international community of betraying the people of Gaza by failing to end the Israeli blockade. Meanwhile, the Western media has not only ignored demonstrations within Israel and without, but even softened the impact of the blockade.
Update 1/6/10: Al Jazeera has another angle on design, the blockade, and the built environment: a write-up of graffiti culture in Gaza. Without access to uncensored news, some activists have turned to graffiti — and were even occasionally sponsored, supplied, and trained by Hamas or Fatah. (via)
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“Where does the food in your bodega come from? Who decides whether to stock tortilla chips or salad greens, and how much they’ll cost? How come it’s easier to find fresh fruits and vegetables in Brooklyn Heights than in the South Bronx? What’s the connection between the incidence of diabetes and the food market supply chain?” Bodega Down Bronx is a 30-minute video produced by Jonathan Bogarín, a group of Bronx students and the Center for Urban Pedagogy. Interviewing residents, bodega owners, distributors, politicians, and health professionals, it’s a fantastic, holistic breakdown of the day-to-day realities that flow from public policy, and what you can do about it.]]>In case you missed it, check out my article on design cooperatives that ran in the September 2005 Communication Arts.
]]>After six years of publication, SocialDesignZine is shutting down. The blog on social design was set up inspire and provoke a discussion among Italian designer and beyond.
The founders maintained an aggressive publication schedule (nearly daily!), hosted offline typographic tours, published two beautiful books of selected posts and comments, an exhibition, and a publication on civic branding and design culminating in the Più Design Può conference in May 2009. Unfortunately, though the SDZ site receives a good amount of traffic, an active community of commenters never really materialized and the daily maintenance had become increasingly difficult to sustain. Still, it’s a high note to end on.
I had the great pleasure of meeting the site’s publishers Gianni Sinni and Andrea Rauch at the conference in Florence and was impressed with the depth of their politics and the ease at which they integrated their civic commitment with their studio practice. Now that they are free of the daily publication schedule, I look forward to seeing what new endeavors they develop. Grazie a Andrea e Gianni.
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