By Tom Tomorrow, via The New Yorker
There have been some fantastic graphics coming out of Occupy Central in Hong Kong, but this brief chronology of the Umbrella Movement in comics is one of my favorites thus far. It was drawn by Dolly for Passion Teens Weekly.
From an interview with Molly Crabapple:
“Art can change the world, but seldom in the way it intends, and seldom the art that people think would have that effect.
I keep thinking of the Guy Fawkes mask Dave Gibbons drew. In discussions of what art is radical, mainstream comics are seldom brought up. And yet… I also think of an interview I read with Greenwald where he said that what convinced him of Snowden’s sincerity about bringing forward his revelations was when Snowden told him he was inspired by video games and comic books.
There is radical, explicit art, but there’s also art that worms into the culture and decades or centuries later bursts forward in unimagined effects.”
Mimi and Eunice are on the case.
In July 2009, I noted a study concluding that Brazil’s telenovelas have inspired both a drop in birth rate and rise in divorce. Via the Communication Initiative Network, I found a a few other items on soap operas and public health:
And though I couldn’t find a study on its impact, straphangers in New York City may remember Julio and Marisol: Decision, an episodic comic strip soap opera dealing with AIDS that ran in English and Spanish in NYC subway cars from 1989 through 2001.