“The Centre for Sustainable Design [at The Surrey Institute of Art & Design, University College, in the UK] facilitates discussion and research on eco-design and environmental, economic, ethical and social considerations in product and service development and design. This is achieved through training and education, research, seminars, workshops, conferences, consultancy, publications and Internet. The Centre also acts as an information clearing house and a focus for innovative thinking on sustainable products and services.”

“Poor transport contributes to social exclusion in two ways. First, it restricts access to activities that enhance people’s life chances, such as work, learning, health care, food shopping, and other key activities. Second, deprived communities suffer disproportionately from pedestrian deaths, pollution and the isolation which can result from living near busy roads.” Why does it happen? What can be done? Read the report from the Social Exculsion Unit, a Cabinet Office. Read coverage of the report in the Guardian.

Found on also not found in nature.

“Bobby was created by [The Center for Applied Technology] to help Web page authors identify and repair significant barriers to access by individuals with disabilities.... CAST is a not-for-profit organization whose mission is to expand opportunities for people with disabilities through innovative uses of computer technology.” Enter a URL and get detailed recommendations on how to make your site more accessible. Note, being “Bobby Approved” does not necessarily mean your site is accessible.

“The Guerrilla Girls, established in 1985 and still going strong in the 21st century, are a group of women artists, writers, performers and film makers who fight discrimination. Dubbing ourselves the conscience of culture, we declare ourselves feminist counterparts to the mostly male tradition of anonymous do-gooders like Robin Hood, Batman, and the Lone Ranger. We wear gorilla masks to focus on the issues rather than our personalities. We use humor to convey information, provoke discussion, and show that feminists can be funny. In 17 years we have produced over 80 posters, printed projects, and actions that expose sexism and racism in politics, the art world and the culture at large. Our work has been passed around the world by kindred spirits who we are proud to have as supporters. The mystery surrounding our identities has attracted attention. We could be anyone; we are everywhere.”

“Last week on Nov 27th [1998], our university campus saw the staging of a campaign for ‘Buy Nothing Day’, a campaign sponsored by Adbusters, a publication of the Media Foundation. For many on the left, the Media Foundation, it’s quarterly publication Adbusters, and it’s campaigns around ‘International Buy Nothing Day’ and ‘TV Turnoff Week’ are basically where it’s at in terms of resistance to the corporate takeover of our society. Indeed, the last several years have seen great improvements in terms of the slickness, circulation and political currency of Adbusters magazine and the promotion of its ‘new’ ideology of ‘anti-consumerism’.... Despite adapting revolutionary rhetoric and repackaging glossy pictures of Indonesian student protests, the liberal politics of Adbusters have come shining through as exemplified by their near total contempt of the power of ordinary people create revolutionary change. There are three main parts to the analysis that has led Adbusters to this political dead end: their privileging of resistance in the individual act of consumption over the collective organization of production, their view of revolution as consisting of a purely subjective and highly individualized ‘mindshift’, and their insistence that the ‘revolution’ will be made on behalf of the masses by a small group of ‘culture jammers’.”

Read the rest, from Tom Keefer.

“The Helen Hamlyn Research Centre explores the implications of social change. Its focus is ‘design for our future selves’ — using design to improve quality of life for people of all ages and abilities. It has four core social change themes: ageing populations, changing patterns of work, mobility for all, innovation in care and rehabilitation. The Centre collaborates with the staff and students of the Royal College of Art and with a range of external commercial, academic, government and charitable partners.”

Research projects cover graphic, package, industrial, architectural, transportation, and urban design.

Transiciónes is both a spinal clinic and an “Independent Living Center” operated by and for disabled Guatemalans. In addition to medical care, the center provides vocational and educational training at a small graphic arts, desktop publishing, and printing business, as well as a computer and office equipment repair and maintenance business. The print shop produces notebooks, bound hard cover books, business cards, brochures, posters, and other jobs both large and small. The also runs a small center for manufacturing and refurbishing wheelchairs. The costs for living at the center are offset by the work of the residents, who also earn a small salary. And, in 2001, Transiciónes’ wheelchair basketball team represented Guatemala at the Central American Games. See the articles at Disability World and the Global Development Center site.

The World Studio Foundation runs a scholarship program for minority and economically disadvantaged students studying art and design in U.S. colleges and universities, a mentoring program for high-school students, and produces an annual magazine and quarterly newsletter to “stimulate, coalesce and channel social activism in the design and fine arts industries; to encourage discussion of the fields’ ethical assumptions; to promote professional practices sensitive to ecological and humane issues.”

The World Monuments Fund is a New York-based non-profit dedicated to preserving and protecting endangered works of historic art and architecture around the world. The World Monuments Watch issues the List of 100 Most Endangered Sites every other year. Some of these sites are also on the UNESCO World Heritage List.

If you’ve ever stood in line at 1am on West 27th street in Manhattan, chances are you’ve noticed an old elevated rail. The High Line was built in the 1930s to elevate dangerous and congesting railroad traffic above city streets. It runs for 1.45 miles, from 34th Street along the edge of the Hudson River through West Chelsea into the Meat Packing District. The Friends of the High Line are dedicated to the preservation of the structure and its conversion into a public park and trail.