Source: http://www.armytimes.com/news/2010/04/military_veterans_suicide_042210w/
While there may not be so many “unknown soldiers” any more, it seems like there are more and more forgotten ones in our midst.
A friend in DC sent this photo of great poster popping up there. The English language poster is always accompanied by a Spanish language version.
“What does International Workers’ Day mean for the self-employed — for the designer or any other highly flexible working person today? Or someone unemployed? How does someone self-employed go on strike? How do you fight for better working conditions?”
In much of the globe, workers of the world celebrate the first of May with demonstrations, parades, and parties led by community groups, unions, and left wing political organizations.
Once a celebration of Spring and a commemoration of attacks on workers, EuroMayDay is a modern reinvention of the May Day tradition. The first MayDay Parade was held in Milan in 2001 and has since spread across Europe. In 2006, it grew into EuroMayday, a day of protests and actions to fight “precarization” of workers and discrimination against migrants in Europe and beyond. New forms of Precarity are a result of shifts in the modern workplace from permanent employment to temp work, freelance, and other instruments of “flexible labor.” This has resulted in an existence for workers without predictability or security, affecting both material and psychological welfare.
Hundreds of activists and volunteers over the years have come together to organize the MayDay events. Since 2007, the design studio bildwechsel / image-shift has joined them, producing a series of beautiful and provocative MayDay posters. To celebrate MayDay (and the anniversary of this blog) I asked the studio partners about their MayDay poster designs from the last 4 years.
Artist Unknown. Via.
Happy Valentine’s Day!
My interview with Lincoln Cushing, co-author of Agitate! Educate! Organize!: American Labor Posters is up at Design Observer along with a brief slideshow of selections from the book.
We talk about the book, its origins, and the trouble with political posters.
Lex Drewinski, 2D/3D, silkscreen, 2006.
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