“Mr Dromi [a former government press adviser and air force colonel] admitted that the administration will struggle to win hearts and minds if footage of those suffering in Gaza continues to be shown. ‘When you have a Palestinian kid facing an Israeli tank, how do you explain that the tank is actually David and the kid is Goliath? That is why the television kills us.’” Not only has the Israeli government barred journalists from entering Gaza, they also bombed the local TV station on second day of the assault.
“In 1986, the anarchist band Chumbawamba released the album Pictures of Starving Children Sell Records, as well as an EP entitled "We Are the World", jointly recorded with US band A State of Mind, both of which were intended as anti-capitalist critiques of the Band Aid/Live Aid phenomenon. They argued that the record was primarily a cosmetic spectacle, designed to draw attention away from the real political causes of world hunger.”Looking at some of the striking photos of the December protests in Athens, I noted a couple of images a week apart with this poster of a gun turned on its owner.
It’s an iconic image, but I think it takes on a different meaning in an oppositional context vs a memorial. Regardless, while trying to find out more about its source I instead found this mixed collection of 41 posters by Greek designers in response to the riots.
Screw the Flash game, since a pair was hurled at President George W. Bush the Model 271 shoe is flying off the shelf. “Baydan Ayakkabicilik San. & Tic. has received orders for 300,000 pairs of the shoes since the attack, more than four times the number his company sold each year since the model was introduced in 1999.... ‘Model 271’ is exported to markets including Iraq, Iran, Syria and Egypt. Customers in Iraq ordered 120,000 pairs this week and some Iraqis offered to set up distribution companies for the shoe, Baydan said.” More on The NY Times.

In the Concorde station of the Paris Métro, the tunnel for line 12 is decorated with tiles spelling out the text of the Déclaration des Droits de l’Homme et du Citoyen, the Declaration of the Rights of Man and Citizen, a foundational document of the French Revolution. See more photos on Flickr or this panorama.

This works in so many ways: as a beautiful display of public typography; as a visualization of the correspondence between human rights and public transit, between policy and infrastructure, between theory, practice, and everyday life. In its deadpan presentation, there’s also something of a memorial to it which seems appropriate given its proximity to Place de la Concorde, previously Place de la Révolution, the site of the guillotine.
Not to mention a passing resemblance to The Matrix.


I’m sure I’ve heard this term in passing, but today in a meeting with a foundation that’s historically focused on grassroots groups in New York City it really hit home how gentrification is pushing people to further strata of the urban donut. In the selection of its cover graphic, the organization chose to zoom out, widen the map and refer not to “New York City,” but the “New York City Area.”
The org, it seems, is increasingly working with people who can’t afford to actually live in the City, but who still work or organize there — people living in northeastern New Jersey, north of the Bronx or east of Queens.
It sounds a bit like “Bay Area” vs “San Francisco.” Something larger than the property lines of the five boroughs but smaller than the tri-state region or New York metropolitan area.
