From March 26-28, I attended the Designs on Democracy conference on the UC Berekely Campus. I’ve been meaning to write up my impressions but have found it difficult to put words to those three incredible, densely-packed days of presentations, meetings, networking, and solidarity. Where to begin?

From the Bay Area Indymedia center:

“Designs on Democracy was a three day conference on design, advertising, public relations and marketing for social change.... The conference was organized by a crew of eight activists. Forty volunteers did the work that made it happen for the 350 who attended. Designs on Democracy, said Favianna Rodriguez, one of the organizers: ‘is not just for designers, it’s for people who are in the business of doing marketing and selling the image of the Left, to take it to a broader audience and make it more appealing.’”

They’ve already posted two pages of notes and several audio files of the conference sessions in Ogg Vorbis format. More audio, video, and documentation is on the way.

The organizers from Tumi’s Design, the Ruckus Society, the Design Action collective, and Change the Game did an amazing job, clocking in months of preparation. The speakers, attendees, and volunteer tech crew were also incredibly flexible and generous.

The sumptuous, donated food also merits special mention, particularly from the Sankofa Kitchen Project, a black, vegan cooking collective in Oakland. The project is part of the East Side Arts Alliance and works with youth to build community gardens, teaches them how to grow and cook their own food, and promotes traditional cuisine, community spirit, and good nutrition — in part a response to the cheap, corporate, fast food crap showered on poor, urban neighborhoods.

Participants arrived from a range of organizations and backgrounds. Some were designers, organizers, techies, printers, media workers. Some from unions, others working on prisons, environmental justice, or genetically modified foods. Some worked in advertising, others on access, training, media justice, or getting out the vote. Some were just designers looking for a way to do more.

Some were veterans, active since the 1960’s, others just fresh out of school. Some owned their own businesses, some worked in collectives or in non-profits, and still others were freelance.

And, where other events of its kind might have fractured into quarrelling ideological factions, here there was common cause: Bush must go.

Many of the conference sessions focused on messaging, narrative, and framing to communicate effectively, move “the middle,” and build a stronger movement for social justice. The list of sessions and speakers makes for interesting reading.

I gravitated towards the more practical sessions, on fund raising and organizational structures. I won’t go into detail about individual sessions — will post more of my notes here soon — but here are a few other impressions and tidbits:

• Several speakers addressed the importance of focus groups and research, and within that the notion of using different messages for different cultural groups. An easy way to recruit for focus groups is to advertise on craigslist. (Offering pizza helps.)
  
  
• Favianna and the staff of Tumi’s see themselves within a tradition of radical graphic work in the Americas and on the West Coast: Siquieros, Rivera and the muralists of the Mexican revolution, artists and writers in Chile who created culture of resistance, the independent publishing of the Black Panther Party, the Chicano movement of the 70’s and their work with the United Farmworkers. Like the Young Lords, the Native American Movement, and the BPP, Tumi’s program is to serve the people. “Without the movement, without the grass roots, graphics work is not revolutionary.”
  
  
• Only one member of Congress has a child serving in the war.
  
  
• In the U.S., you can buy voter registration lists. It’s not cheap, but it is public information. You can cross reference the data with your membership list or demographic information to more effectively market to voters.
  
  
• If you’re an unaffiliated designer with a project idea and you want to raise funds, consider finding a non-profit organization willing to act as a fiscal sponsor. You can arrange for tax-deductible donations or foundation support through them, in exchange for a small percentage of the proceeds.

One topic of discussion that was missing from the conference was information design and mapping. This is not just marketing, but using design for analysis and making data accessible. See, for instance, the 2000 Palm Beach County ballot design.

In addition to meeting many new people, I had the chance to meet several people I’d previously known only online including Jason Justice, founder of the Graphic Alliance, an electronic network of progressive designers, and Alex Steffen of the community Web log worldchanging.com. It was also great to reconnect with a couple of folks I’d met at the Ruckus Tech Tools Action Camp in 2002.

Overall, the air crackled with excitement and energy. It was nice to recharge, to find out everyone was doing, and to find among them a progressive community of designers. Many, including myself, didn’t want this to end with the conference itself.

So what’s next? Another one in a couple of years? Perhaps local or regional conferences? An international federation of progressive designers? For now, a database of resources is in the works and will eventually be posted on the site. Watch this space for more.

Good-looking printed documents can complement protests, lobbying, and media work.

This Saturday, Anne Rolfes and Iris Carter Brown from the Louisiana Bucket Brigade spoke about their campaign against Shell to stop polluting their neighborhood.

They talked about a few of the ways reports and Web sites made a difference to people campaigning on the ground.

• Sophisticated graphics convey the impression of an organized, sophisticated movement. One that can overcome its opponents.
• Reports give people pride in their issue, people who have been blown off by governments and powerful corporate opponents. It validates what you think when you see it in print. It makes you ready to take on the man.
• Reports document oral history that may not continue to be passed down. The elders of the community grew up with and around a big old oak tree. Now it’s fenced off, a part of Shell’s industrial property.
• Reports create oral history. Ruth Jones’s son was killed by gas explosion in early 1970s. After the funeral, Shell gave her a check for $500. Ruth agreed to let this be published. The story affirmed the sense of injustice in the community, and the anniversary of his death became an occasion marked by the community annually .
• Reports put the peoples’ side of the story into the mainstream media. Printed reports reach journalists who do not go into the field. The reports tell the details that might not otherwise be told. The documents are also posted on the Web and citations enter electronic press archives. The LABB report began to be cited journals and studies from afar.
• Reports help catalyze the campaign, framing the issues strategically at each phase of the campaign.
• Reports educate different audiences, including elected officials. It makes people in power take the issues seriously. It also encourages people involved in other campaigns, including overseas via the Web site.
• Reports creates room for artistry. Powerful photos and visuals tell the story, and move the emotions.
• Reports create a forum for people in the community. People being poisoned can tell their own stories, put their words into print.

“If it’s not documented, it didn’t happen,” says Iris. “Here’s the proof, this is real. We are not crazy, we are tired of putting up with this.”

See some of the Louisiana Bucket Brigade’s reports here. They were designed by the Design Action collective and printed by Ink Works Press.

Some political stencil graffiti I spotted this weekend on the sidewalks of San Francisco and Oakland. Click an image below for a larger version.

That’s Mayor Gavin Newsom to you.

Most buildings built before June 1979 are rent controlled. However, housing prices are so high that some landlords are willing to destroy their buildings to build new ones that can rent at the city’s incredible market price.

“PROTECT THE BAY / DON’T DUMP”

There’s lots more at http://www.stencilarchive.org/.

After ribbing David about open sourcing his content management system, I decided to put up myself. So here’s my first Free Software project: pagify is a perl script that takes the output of Microsoft Word’s “Save as Web Page...” and

• cleans out the cruft and proprietary XML gunk,
• splits the file into HTML pages wherever a Heading 1 style appears, and
• converts endnotes into footnotes on the appropriate pages.

I personally use it as the first step in formating Human Rights Watch’s many long and footnoted reports for the Web. Pagify is released under the GNU General Public License and will live at http://backspace.com/pagify/.

Everyone knows that New Yorkers pay attention to crosswalk signals... right?

So if you live in New York City, you may or may not have noticed that all the old crosswalk signals are gone. Instead of the spelling out WALK and DON’T WALK in type, the new signals use pictograms of a big red hand and walking person in a dotted outline of bright LED’s.

The new signal displays fit into the old, existing signal housing. And, by switching from incandescent bulbs to light-emitting diodes, the City notes, the new signals will both last longer and use less energy.

This piece in the New Yorker provides some hard numbers:

“The city is changing all eighty-five-thousand signs, at a cost of $28.2 million. The job started in 2000, in Queens; by February [2004] the [job] should be complete....

The idea is that the new ones, which rely on dozens of light-emitting diodes, or LEDs, will last six times longer than the old ones, which relied on two bulbs, and will save two million dollars a year in maintenance and electricity costs....

The brighter signs should be more visible to persons with partial sight. But, the author notes, the signals do have detractors:

“Among them many children, who sense that there is something patronizing about the hieroglyphs....

‘First of all, they’re really bright,’ Jacob said. ‘They hurt my eyes, even from, like, a block away. They make my eyes water. And, also, the first thing my sister could read was Walk/Don’t Walk.’ The three of them came to a corner: across the street, an upraised hand. They took a look, then crossed anyway. ‘The old one is just more original,’ Jacob went on. ‘Almost every other place has the Man and the Hand. Whenever I go anywhere else, it’s the Man and the Hand. Italy, France—they always have that. It’s un-unique. So I don’t really like it. Actually, most of my friends don’t like it.’”

The NYC page also claims that switching to “internationally recognized symbols” will make the signs “easily recognized by non-English speaking pedestrians.” I applaud the recognition and accomodation of non-English speakers in such a massive, city-wide initiative, but while the symbols may be “internationally recognized” in Western Europe, an open palm has different meanings in different cultures. For instance:

• In Japan an open palm in front of one’s face means “I don’t know,” “I don’t understand,” or “I am undeserving,” [source]
• In Greece, “extending the arm and hand (palm open) as if pushing something away from you is an age-old form of insult. In wars, Greeks would humiliate their prisoners by rubbing mud or fecal matter into their faces.” [source]
• And in Nigeria, pushing the palm of the hand forward with fingers spread is a vulgar gesture. [source]

With closs-cropped hair and boot-cut pants, the figure in white resembles other symbols used around here to indicate “male.”

The NYC page doesn’t mention it, but new crosswalk symbols are nationally mandated in the Manual of Uniform Control Devices published by the U.S. Department of Transportation. The Manual sets forth detailed design standards for traffic signage around the United States.

Recently, in San Francisco I discovered another variation I’d never seen before. In addition to the white man and red hand, the signals there feature a red countdown indicating the number of seconds remaining to cross the street. It turns out the countdown option was added to the Manual in 2000, and is slowly gaining popularity across the country. I was struck by the simple brilliance of it. The additional information is much more useful than the simple flashing hand or DON’T WALK. The latter always seemed to start flashing when one was halfway across the road. This calls to mind the scene from Rain Main when the austistic character stops walking in the middle of the road.

But that, apparently, is exactly when it is supposed to start flashing. The period of the countdown, flashing hand, and flashing DON’T WALK is known as the “pedestrian clearance interval”, the time for pedestrians to finish crossing, not to start crossing.

Local studies around the U.S. are finding that the countdown signals come at a price. While the countdown reduces the number of pedestrians who start running when the flashing DON’T WALK signal appears, the countdown seems to be interpreted to mean that it is OK to cross the street if there are enough seconds on the clock. Pedestrians are more likely to start crossing the street during the countdown than during the flashing DON’T WALK. This is contrary to the intent of the designers, and of the law.

Significant data has not yet been gathered on the countdown signal’s effect on the overall number of pedestrian fatalities.

A low-cost, powerful tool for environmental monitoring by communities poisoned by industrial facilities built near their homes.

About the Bucket:

“The EPA-approved ‘bucket’ is a simple, community friendly tool that fenceline neighbors use to take air samples. Taking air samples is a powerful experience for community members who are used to being ignored, overlooked, and disrespected by corporations and government. Dorothy Jenkins, President of Concerned Citizens of New Sarpy, used to call the refinery to complain about the odors. A low ranking operator would tell her not to worry, that the black plume of smoke that billowed for hours near her home was not harmful. Now Mrs. Jenkins has a bucket. When refinery managers and government regulators tell her that there is nothing to worry about, she answers, ‘Why, then, was there a benzene reading of 14 in my air sample, a reading that violates the state standards?’ The bucket gives community members power to hold institutions accountable to provide a safe and healthy environment.”

From the History of the Louisiana Bucket Brigade:

“The bucket brigades were started in 1995 by attorney Edward Masry (of Erin Brockovich fame) when both were made ill by fumes from a petroleum refinery he was suing on behalf of citizens of Contra Costa County, California. When he called the local, state and federal environmental authorities, they told him that their monitors detected no problem. This so angered Masry, whose clients were being exposed to these toxic releases daily, that he hired an environmental engineer to design a low cost device, the ‘bucket’, which the community could use to monitor their exposure for themselves. This set in motion a movement which would give communities living near refineries, chemical plants or other toxic air emitting sources, a chance to take on indifferent regulators and corporations who were telling them that there is no problem with the air they are breathing while they are choking and dying.

The ‘bucket’ is a low cost $75 version of the $2000 Suma canister used by government and industry and is simple to use. Suspect air is drawn into a Tedlar bag inside the bucket. The bag is then sealed and sent to a laboratory for analysis. The lab analysis is the most expensive part of the operation. For about $500 per sample, the contents of the bag are run through a GCMS (Gas Chromatograph Mass Spectrometer), which compares the ‘fingerprints’ of the sample with the fingerprints of about 100 toxic gases in the computer library. The bag is non-reusable and cost about $15. In practice, much of this cost has been borne by charitable and government grants.

Working closely with Masry, Denny Larson proceeded to promote the use of these buckets in other communities exposed to refinery and other toxic air emissions. Larson hired a student intern to re-engineer the buckets in order to produce a community manual to educate fenceline neighbors that they could build and operate their own air monitoring systems. When completed, the manual helped spread the buckets throughout the refinery belt of Contra Costa County to 7 communities.

The biggest hurdle was getting the authorities, who belittled the idea of citizen bucket brigades, to accept the results. Larson met with EPA Region 9 officials, including the administrator, Felicia Marcus, in 1996 and asked the agency to approve and fund bucket air sampling. To its credit, EPA Region 9 invested in a quality assurance evaluation of the bucket results and ended up accepting them. With the EPA acceptance, Denny was able to work with grass roots groups around the country to launch local bucket brigades.”

Update: Read more about the bucket in this Christian Science Monitor article from April 1, 2004.

Those little blue stickers are popping on the streets of New York again. This Saturday, on the one-year anniversary of the invasion of Iraq, millions will take to the streets to call for peace. Protests are scheduled in over 50 countries, with over 200 events planned around the United States.

United for Peace and Justice has made variations on their “flag” flyer template available for download with space to add details about your local event or create your own translation, and with rotated globes for events in Africa, Asia, or Europe.

By now there are plenty of downloadable flyers on the Web, but few designed for translation and personalization, while retaining a generally persistent brand. I’ve not seen another organization producing anti-war posters this user-oriented.

Except the Bush-Cheney presidential campaign.

From Wired:

“The Bush-Cheney presidential campaign disabled features of a tool on its website Thursday that pranksters were using to mock the Republican presidential ticket.

The tool originally let users generate a full-size campaign poster in PDF format, customized with a short slogan of their choice. But Bush critics began using the site to place their own snarky political messages above a Bush-Cheney ’04 logo and a disclaimer stating that the poster was paid for by Bush-Cheney ’04, Inc.”

See a handful of sample posters in this nostalgic Fash piece.

From Noam Chomsky, Year 501: The Tragedy of Haiti, 1993:

“The leader of the revolt [against the U.S. invasion], Charlemagne Péralte, was killed by Marines who sneaked into his camp at night in disguise. In an attempt at psywar that prefigured some of Colonel Edward Lansdale’s later exploits in the Philippines, the Marines circulated photos of his body in the hope of demoralizing the guerrillas. The tactic backfired, however; the photo resembled Christ on the cross, and became a nationalist symbol. Péralte took his place in the nationalist Pantheon alongside of Toussaint.”

The photograph was immortalized in 1948 by Philome Obin in his painting, Crucifixion de Charlemagne Péralte pour la Liberté.

Steven Romalewski sends this growing list of nonprofit online mapping Web sites in New York City:

“We’ve noticed a kind of a critical mass of these mapping and data services recently.

Most of these have been created by my project, NYPIRG’s Community Mapping Assistance Project (a team of six people, part of a nonprofit organization, that uses GIS to help other nonprofits achieve their missions). They’re all part and parcel of an effort to ‘democratize’ data and provide powerful new tools with a community-based focus. Each site uses GIS technologies that few other nonprofits have tapped into, but that government agencies and the private sector have used to great effect. The websites use government data in in new and innovative ways, often to provide services that most government agencies would never provide. And they give local neighborhoods and individuals a window on their world that would’ve been daunting, at best, and maybe impossible for the average citizen or block association to obtain. The sites have helped level the ‘playing field’ in New York to a great extent, so public agencies and large companies don’t have a monopoly on information.

Here are the links:

• http://www.MyCITI.org — the Community Information Technology Initiative (CITI) website that puts mapping tools in the hands of New York City’s local planning boards, in a way that they can avoid the need to spend limited resources and duplication if all 59 boards had to buy the software and invest in the data creation themselves;
  
• http://www.oasisnyc.net — a wealth of information about parks, wetlands, gardens, and other open spaces across New York, reaching across all levels of government and developed for all different aspects of the city’s ‘greening community’. This site was spearheaded and funded by the US Forest Service, and involves a steering committee of more than 40 nonprofits, government agencies, academics, and businesses;
  
• http://www.nonprofitmaps.org/netmaps/bedc/bedc.htm — the Brooklyn Economic Development Corp’s. ‘Destination Brooklyn’ service that offers detailed real estate and demographic information for every property and neighborhood in Brooklyn, geared toward small business owners and community development organizations;
  
• http://www.straphangers.org/cmap.php — the Straphangers Campaign’s ‘Get Where You’re Going’ site, providing precise location information about the subway stops closest to any street address in NYC (which the MTA’s maps can’t do, since they’re geographically distorted to fit on a printed page);
  
• http://www.MyGovernmentNYC.org — allows anyone with a New York City address to easily find and contact the public officials who represent them at all levels of government, and is used by thousands of people each month, regularly praising it for its simplicity and comprehensiveness;
  
• http://www.nonprofitmaps.org/netmaps/lac/lac.htm — how to locate family literacy programs based on a survey by the Literacy Assistance Center, mapped by category, borough, or ZIP Code. The site also shows nearby subway stops and public libraries;
  
• http://www.nonprofitmaps.org/nycnonprofits — the NYC Nonprofits Project Service Atlas. It extends a 3-year study of the nonprofit sector that was released in June 2002, by enabling you to locate any of more than 6,000 nonprofit groups in the city by ZIP Code, neighborhood, Community Board, or City Council district. Groups are listed in 17 major categories and lots of sub-categories. CMAP created the Atlas for the Nonprofits Project; and
  
• http://www.LowerManhattanMap.com — helping with the recovery and rebuilding efforts of lower Manhattan small businesses, tourist destinations, and cultural organizations. The site includes information maintained by 3 business improvement districts on almost 2,000 local businesses, retail stores, restaurants, community services, cultural sites, and tourist attractions.”

From Democracy Now!:

“The U.S. Treasury Department’s Office of Foreign Assets Control recently declared that American publishers cannot edit works authored in nations under trade embargoes which include Iran, Iraq, Sudan, Libya and Cuba.

Although publishing the articles is legal, editing is a ‘service’ and the treasury department says it is illegal to perform services for embargoed nations. It can be punishable by fines of up to a half-million dollars or jail terms as long as 10 years.

Robert Bovenschulte, president of the publications division of the American Chemical Society, which decided this week decided to challenge the government and risk criminal prosecution by editing articles submitted from the five embargoed nations.”

From the Treasury Department itself:

“As you know, the importation from any country and the exportation to any country of information and informational materials, whether commercial or otherwise, regardless of format or medium of transmission, are exempt from the Iranian Transactions Regulations, 31 C.F.R. Part 560 (the ITR). ITR, § 560.210(c)....

Nevertheless, certain activities described in your letter would fall outside of the information and informational materials exemption. The collaboration on and editing of manuscripts submitted by persons in Iran, including activities such as the reordering of paragraphs or sentences, correction of syntax, grammar, and replacement of inappropriate words by U.S. persons, prior to publication, may result in a substantively altered or enhanced product, and is therefore prohibited under ITR § 560.204 unless specifically licensed.”

Boy is this ever crying out for civil disobedience from all of us bloggers. I’m not sure if republishing or translating information off the Web is covered by this (since it’s accessible anyway), but posting translations of otherwise published or unpublished material probably would be.

Let the Office of Foreign Assets Control know about it at [email protected]. To complain to the Department of Justice about the issue email [email protected].

Via the Project Censored and Juan Cole