What is Swap-O-Rama-Rama?

“Swap-O-Rama-Rama is not your regular clothing swap. The event features an entire day of how-to workshops, on site thematic workstations and a gathering of skilled designers, artists and do-it-yourselfers brought together to share their knowledge.

Workshops are taught by local artists of all calibers and cover wide range of skill sets and material uses. The swap has offered technology based workshops including a demo by Mikey Sklar that demonstrated how to replace pockets with metallic fiber for the purpose of creating a wearable faraday cage to block RFID tag readers, and an exploration of a playable sonic fabric created from recycled cassette tape presented by Alyce Santoro. Swap workshops also introduce completely new textiles. Kate Sweater offered a how-to that transforms plastic grocery bags into a new textile for wallets, bags and shoes. Traditional crafts like embroidery, knitting, beading and appliqué can also be found. If guests want to be hands-on they can slide over to any number of do-it-yourself workstations. These include a sewing stations with several sewing machines run by knowledgeable clothing and costume designers; an iron-on station for downloading images off the web and transferring them directly onto clothing; silk screening, and decoration stations for working with beads, buttons, and a variety of accoutrements.

The core of the swap is the gigantic piles of free clothing sorted into categories: pants, shirts, skirts, sweaters etc. These piles are the collective total of each guest’s contribution of one bag of unwanted clothes. This contribution is required to attend the event. Once inside guests are encouraged to take home ‘as much clothing as you can carry.’... All left over clothing is donated to St. Martin DePorres Shelter in Brooklyn, New York.

Swap-O-Rama-Rama was created out of a recognition that consumerism needs to be unlearned.”

The next Swap-O-Rama-Rama is on Sunday, Feburary 12 at Galapagos in Williamsburg.

The associated performance art, fashion show, and venue position it in a rather white, hipster way — more thrift-store chic than alternative economy. But it sounds like some grassroots, DIY fun. Find out more at http://www.swaporamarama.org

Also of note, “Swap-O-Rama-Rama has received funding support from Black Rock Arts, a community resource for interactive arts that sprouted from the makers of the art festival and utopian experiment Burning Man.” Let 1,000 DIY art-happenings bloom!

Update: Because of snow, Swap-O-Rama-Rama has been rescheduled Monday (Presidents Day) February 20th 2pm to 7pm.

(Guest post by Tad)

There is a new bilingual design magazine here in Germany. We already have at least four design magazines (depending on what you deem design), but ROGER matches or surpasses most of them. And ROGER is certainly the only German design magazine the rest of the world should care about, because it is the only one that cares.

While reading design magazines and design news sources online I am often appalled by the lack of social responsibility, critical reflection, and political wisdom. People hail works of designers even if the client earns his money from, say, exploitation in the global south, undemocratic regimes, or the arms trade — as long as the aesthetic value of the design work is somewhat recognizable. Not being a designer myself, but often in need of design services, I have met and worked with many designers who share the same impression. I love well designed websites or magazines — indeed I collect them. And there is a new item in my collection: the third issue of ROGER with “International Angst” as the main topic. It combines both design and responsibility.

ROGER tackles design related questions with a holistic and interdisciplinary approach. It closes the gap between your usual design magazine and political types like Adbusters and Consumerevolution. It is the closest yet to a “social design magazine.”

The current issue focuses on the “culture of fear” discussing its effects on society and on designers developing products to match customer demands in a market driven by irrational necessities. The issue features a range of articles addressing the premise from different angles. Whether it is a report from the International Design Action Day (IDAD) or a background article on the reasons for setting up Esuvee.com, a site warning about the dangers of Sports Utility Vehicles, or an interview with the curator of MoMA’s SAFE exhibition, it is always clear that the topic is more than just design. ROGER shows design can be more than aesthetics or selling products. True design is about shaping, shaping our society or future ones. No wonder a feature article on Buckminster Fuller introduces the idea of design science. The magazine itself sounds a little like a scientific project too, to prove that designers can indeed take responsibility.

ROGER is published by the KISD Club, an association of students from the Köln International School of Design. Because the magazine is bilingual, in both English and German, some articles are a little short and the pages, a little crowded. ROGER’s motto “Design People Questions” is also more ambitious than it appears at first. So much more that the magazine sometimes fails to meet its own ambitions. The article about a Chinese design fair called TIC 100 doesn’t really distuinguish between mainland China and Taiwan. It also forgets to mention the conflict between Taiwan and the Chinese government, a bloody regime that does not hesitate to jail reporters or kill students.

Still, the Editorial of the second issue, which is partly available online, expresses more than I can paraphrase:

“Design tends to be misunderstood and the self-presentations of the primadonnas contribute to this.... It would be better to reorganize those living and consuming circumstances that have become completely absurd and yet serve as a desirable example everywhere.... Luckily, some designers are already conscious of their responsibility.”

Find out more at http://roger.kisd.de/

A week before today’s 61st anniversary of the liberation of Auschwitz by the Red Army, Landeszeitung Lüneburg, a local newspaper in Germany, ran an article about the deportation of a Sinti boy from Lüneburg to Auschwitz.

The article was accompanied by a large red ad from one of the biggest energy companies in Germany bearing the tagline (roughly translated): “E.ON provides today for the gas of tomorrow!”

Click for a larger version.

The paper later published an apology to the author, readers, and energy company for the ad placement, claiming they had not checked the content of the ad.

(Thanks S.K.)

This memorial is painted on the side of Mamma’s Food Shop on 6th street and Avenue C. Click the image above for a larger version. The mural is signed by Taboo!, an East Village drag queen. I couldn’t find much about her online except mention (and a photo) in this old Wigstock release.

The piece commemorates a mix of stars, artists, drag queens, and others. Some died of AIDS, others were East Village locals. Some names I recognize, others I do not. Members of a family quietly fading.

Reader Ravenmn writes:

“Your item about the bad ad placement in Germany reminds me of an experience I had as a typesetter at the Minnesota Daily, the student newspaper of the University of Minnesota. In April of 1980, nobody noticed that the Army Helicopter Pilot Training ROTC ad was running on the same page as the story of the failed helicopter rescue attempt Jimmy Carter sent to Iran during the hostage crisis, complete with photo of mangled helicopters in the desert. ROTC got a couple of free ads out of it, if I recall correctly.”

I found the photo on http://remember.gov, the Web site White House Commission on Remembrance, your official source for state-sponsored memory.

Jakob Nielson notes this urgent usability upgrade in his January 23, 2006 email newsletter:

“Kudos to the U.S. Food and Drug Administration for a rare example of a government agency employing usability guidelines to save lives. The FDA has changed the rules for the “prescribing information” which is the leaflet that goes into medication packages. Now, the leaflets will place the information that patients and doctors need first, in a highlights section. Not exactly a new idea in usability, but in the past, these leaflets were dominated by useless warnings that served no practical use for the vast majority of readers; the first several pages of stuff didn’t do any good except act as a defense against predatory trial lawyers.

The new FDA rules state that, ‘Overwarning, just like underwarning, can similarly have a negative effect on patient safety.’ Exactly: if you bury useful info in masses of useless info, then users won’t see the truly important warnings.

Poor usability of drug information = dead patients.

The FDA has finally recognized the need to save lives by fighting back against the lawyers and writing drug info for users instead of courts. The new regulations explicitly prohibit several types of law suits where trial lawyers have harassed the medical system into making the prescribing information harder to understand.”

The rule had been under consideration by the FDA for more than five years — and is the first major change to drug labels in 25 years! For a more information, see the FDA press release or the NY Times article, New Drug Label Rule Is Intended to Reduce Medical Errors. New rules also affect drug advertising on TV and in print.

The LA Times ran a great editorial last week in response to Bush’s State of the Union address. It chided him for hyping research, spending, and technology over policy and implementation.

“By and large, it isn’t a lack of technology that keeps the nation so dependent on oil. It’s the lack of will to use it.

Engineers have produced a basket of new technologies for making cars burn less gasoline, yet fuel standards for passenger cars in this country haven’t changed in more than two decades, and fuel economy has barely budged. Brazil has shown the way to energy independence by powering cars with ethanol made from sugar. This country, meanwhile, continues to pour billions of dollars in subsidies into producing ethanol less efficiently from corn. Advances in solar energy have made it less expensive and more reliable, yet only California is making a significant bid to exploit the power of the sun....

Technologies that could make the U.S. more energy independent sit on the shelf while the automotive industry dithers about raising the price of a car by a couple of thousand dollars (money that could largely be recouped in savings on gasoline) to raise gas mileage by about 20 miles per gallon. Bush also talked about investing in zero-emissions coal plants. Yet, after a former EPA administrator said the technology existed to reduce mercury pollution at coal-fired plants by 90% within a few years, the Bush administration issued far weaker regulations.

The energy legislation passed last year provides individual homeowners with tax incentives to install solar energy units, but it does nothing to lure builders into solar, which would have a far greater effect.

How about importing ethanol from Brazil to put more fuel-efficient cars on the road now? That would mean dropping tariffs and ending protectionism for U.S. corn growers.”

I tried to make a similar point here a few months ago, though was not as eloquent.

(via Planetizen)

Cut&Paint is a zine of stencil templates, ready to cut, ready to paint.

Volume two is in the works with a deadline for submissions on February 20, 2006. In addition to stencils, the issue will include a how-to section, photos of stencils on site, and articles on stenciling, public space, and politics. Check the submission criteria.

The first issue is nearly sold out of its run of 400 copies, so I helped the team post the stencils online. It’s a quick and basic site for now, but will evolve as we add more images. The first 41 stencils are up and ready for download at http://cutandpaint.org.