I’m late to the party on this, but as one of its co-founders notes in passing, the photo sharing site Flickr is fast becoming an easy way to find photos of major protest events in wired urban areas. See for instance, protests this week against the CPE in Paris or the election in Belarus. See also this December 2005 story on MoveOn’s use of Flickr or the 1,430 photos tagged “RNC.”

If Web 2.0 is made of people, an easy use is a kind of grassroots media. Though the corporate-owners of such Web frameworks are certainly willing to take down images that “may offend” or hand over the goods on users. (via)

Wow! Three weeks ago I posted a modest proposal for a guerilla wayfinding campaign, painting compass stencils at the exits of subway stations for disoriented commuters.

Today at the 8th Avenue L exit I found this:

Here’s a hi-res photo someone posted to Flickr of the same compass at the Bleeker 6 exit. I found more at Astor Place and Union Square. Is someone reading this blog? And will they go all city?

El Nuevo Diario reports that 1,420 Nicaraguan banana workers have died as a result of the illnesses caused by the pesticide Nemagon. 9,500 are seriously ill without access to adequate healthcare.

In their battle to collect on their compensation claim, the workers have seized an unexpected asset.

From the Nicaragua Network, 1/18/06:

Nemagon victims put lien on use of “Shell” trademark

“On January 13 the law firm Ojeda, Gutierrez, and Espinoza put a lien on the multinational Shell Oil Company against which the firm’s clients won a multimillion compensation claim in Nicaraguan courts.  The clients are 500 former banana workers from the Chinandega area whose health has been severely affected by their exposure to Nemagon.  Over a hundred of the former banana workers traveled to Managua to take part in the task of placing banners about the lien over the word ‘Shell’ at Shell gas stations in the capital.

Attorney Angel Espinoza explained that, since his clients won their claim for US$486 million compensation against four multinationals (Dole Food Company, Dow Chemical Company, Shell Chemical Company and Standard Food Company [Dole’s name in Central America]), they have not received a cent from any of the companies. ‘The companies’ failure to pay up has resulted in our decision to go ahead and place a lien on the use of the Shell trademark,’ says Espinoza. The law firm has already filed claims against Dole Food Company and Dow Chemical Company.

The gasoline and other products sold at Shell gas stations in Nicaragua are sold by the company Shell Nicaragua, S.A., which pays a monthly sum to Shell to rent out the trademark. The lien applied by the Chinandega farm workers and their lawyers does not affect Shell Nicaragua S.A.’s ability to continue selling its products, but the company can no longer do so under the trademark Shell unless company officials agree to start paying the Nemagon victims the monthly sum they have been paying to the Shell Oil Company.

Saw this tonight on Bleeker Street.

Where is the outrage? It’s for sale at Marc Jacobs in the West Village.

There’s also a joke in here about white people, but I can’t seem to find it at the moment.

Otherwise, I do appreciate the sentiment and the public display.

See previous post: Commodify Your Dissent

Now on newsstands across NYC is the cover of this week’s Time Out New York, an events and listings rag. The camouflage shopping bag is intended to evoke martial metaphors: tactical tips for your bargain hunting strategy inside.

But it struck me as quite an elegant, visual link between War and The Market!

On Tuesday, the San Francisco Board of Supervisors unanimously approved resolution 060442, Peak Oil Plan of Response and Preparation, “acknowledging the challenge of Peak Oil and the need for San Francisco to prepare a plan of response and preparation.”

An SF Informatics / San Francisco Oil Awareness press release notes the role of the U.S. Department of Energy’s own study on peak oil, as well a poster used in its advocacy work:

“Among the high-visibility tools used by the groups is a colorful poster called The Oil Age, created by SF Informatics in association with Global Public Media. The poster traces the history of oil production worldwide and displays relevant energy statistics from the U.S. Energy Information Administration, BP Statistical Review and other industry sources. The poster was hand delivered to dozens of Bay Area elected officials in January, including the San Francisco Board of Supervisors, The Department on the Environment and the Communion on the Environment.

‘The poster is a great way to open up city officials’ doors,’ said David Fridley, a scientist with the Lawrence Berkeley Lab and a member of San Francisco Oil Awareness. ‘It’s a very effective passport into the halls of power because of its polished and professional quality.’ Co-member Jennifer Bresee agrees: ‘Plunking down this poster in front of a supervisor is a lot more effective than trying to explain it in words alone,’ she says.

Copies of The Oil Age poster can be purchased at www.oilposter.org. To date, over 1,600 posters have been donated to teachers worldwide. And thanks to Congressman Roscoe Bartlett, the poster has been distributed to every member of the U.S. Congress.”

This Saturday, April 29, we take to the streets to end the war in Iraq, support immigrant rights and women’s rights, and to oppose war against Iran. I designed a broadsheet that the organizing coalition will distribute. It’s a two-color, tabloid-sized, eight-page booklet in English and Spanish with statements by the organizers, emergency contact info, and maps of the affinity group assembly areas, march route, and peace festival.

It was a challenge giving the different messages equal weight without flattening out the design. Because of the politics of the coalition, this was a big requirement. It was also my first chance to play with the City’s official NYCMAP data, which was fun. The cover image extends the Statue of Liberty image used in the existing flyers, but pushes it back to make it a little more ambient and less iconographic. It was a rush job and stepping back, some of the type treatment feels a little heavy-handed. But I’m otherwise pleased with it. We’ll see how it works on newsprint. Maybe the heaviness is appropriate.