This Saturday, April 29, we take to the streets to end the war in Iraq, support immigrant rights and women’s rights, and to oppose war against Iran. I designed a broadsheet that the organizing coalition will distribute. It’s a two-color, tabloid-sized, eight-page booklet in English and Spanish with statements by the organizers, emergency contact info, and maps of the affinity group assembly areas, march route, and peace festival.

It was a challenge giving the different messages equal weight without flattening out the design. Because of the politics of the coalition, this was a big requirement. It was also my first chance to play with the City’s official NYCMAP data, which was fun. The cover image extends the Statue of Liberty image used in the existing flyers, but pushes it back to make it a little more ambient and less iconographic. It was a rush job and stepping back, some of the type treatment feels a little heavy-handed. But I’m otherwise pleased with it. We’ll see how it works on newsprint. Maybe the heaviness is appropriate.

The American Institute of Architects National Government Advocacy Team and Architecture 2030 are urging the US Conference of Mayors to adopt Resolution 50 which sets a goal of carbon-neutral city buildings by 2030 — that is, new city buildings will use no fossil-fuel or greenhouse gas emitting energy sources to operate.

The orgs are asking people to call their mayors this week before the meeting in early June. Background information, talking points, sample letters, and contact info up http://www.architecture2030.org/news/index.php

The text of the resolution reads like a nice little manifesto. Click below for the full text.

And how rare and wonderful to see a professional association engaging with progressive public policy!

Back in town and still catching up, but here’s an quick update on a recent blog item:

On Monday, June 5, 2006, the US Conference of Mayors adopted the ‘2030 Challenge,’ a resolution committing to a timeline for reducing greenhouse gas emissions by all new and renovated city buildings to the point that all new city buildings are carbon-neutral by 2030.

On May 31, 2006, the City of Santa Fe became the first city in the US to formally adopt the ‘2030 Challenge’.

The 78,000 member American Institute of Architects formally adopted the ‘2030 Challenge’ in January 2006.

From a June 1 editorial in the Wall Street Journal Asia on events leading up to the recent violence in East Timor:

“[Former Prime Minister of East Timor, Mari] Alkatiri entered into a kind of siege mindset, centralizing power and implementing a series of decisions that alienated wide swathes of his political base. Most unpopular was the decision to make Portuguese — a language of the exiles, but not of the nation — the official language. Fretilin also adopted the national flag as its party symbol, a not-so-subtle claim to absolute power.”

Another item I missed while out, on May 24, President Bush appointed Karl Zinsmeister as his chief domestic policy advisor (replacing Claude Allen who resigned in February when caught stealing from Target.) Judging from the appointment, the domestic agenda seems more about propaganda than poverty.

His qualifications? Zinsmeister was editor of The American Enterprise, the magazine of the American Enterprise Institute, a neo-conservative think tank whose stated mission is to support the “foundations of freedom — limited government, private enterprise, vital cultural and political institutions, and a strong foreign policy and national defense.” Among the organization’s funders are both Microsoft and the Scaife family.

Also on his resume, in 2003, Zinsmeister was embedded as a military reporter with the 82nd Airborne in Iraq. His Iraq experience is chronicled in Combat Zone: True Tales of GI’s in Iraq, which Zinsmeister wrote for Marvel Comics. [source] The comic excludes accounts of torture and detainee abuse by the 82nd Airborne later documented by Human Rights Watch.

Further qualifying him, is Zinsmeister’s 2002 essay When Art Becomes Inhuman, a critique of modern art, liberals, and, of course, Manhattan. [source]. His rant against abstraction is an ironic reversal from the days when the CIA helped promote abstract expressionism at the expense of social realism to keep the Commies at bay. Nowadays, with abstraction duly en-framed in the canon of modern art, it makes easy fodder for the ‘liberals are elitist snobs’ line of right-wing populists.

Among his accusations, is one about lefty directors of musical theater who “believe audiences should absorb ideological messages in the theater, not beautiful songs.” This is of course coming from his own ideological screed. But it’s also a further note of just how ideological the apparent ‘invisibility’ and ‘neutrality’ of beauty really is.