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781. Design to Improve Life Winners of the 2009 Index Award have been announced. On top of the list are the wind-up fetal heart rate monitor and an efficient, smokeless indoor stove. See the complete list of finalists for lots of social design product ideas.
>  3 September 2009, 8:44:15 AM | LINK | Filed in

Pierre Bernard, co-founder of Grapus and Atelier de Création Graphique, delivered this lecture in Minneapolis in 1991. It was reprinted in Essays on Design I: AGI’s Designers of Influence, London 1997.

Artists have for a long time been heading for ghettos, whether rich or poor. Other people have been subjected to a major mass-media aesthetic — or for the most underprivileged — to its leftovers. Our Western society is working at two different speeds. For the minority, a world of calm has come into being in which design means authentic quality. Art can be part of every life. It is a world in which a materialised and human reality can develop.

For the rest — the majority — what is offered is exactly the opposite. Art is something to be visited in reservations, and spiritual harmony is to be found in other realms, religious or chemical.

Inequality is on the increase. The humanist dream of a unification of our planet’s history in the capitalist logic of multinationals has in practice become a reductive standardization. It has thus been deemed legitimate to give arts and artists the function of entertainment and decoration, while techniques and technicians take care of efficient production.

This division of labour amounts to a complete capitulation as regards the principles on which design is founded. The division between the artist as creator and the artisan as technician has been born again out of the ashes of those founding principles. It marks a return to the Stone Age.

I believe that the single identity of the artist and the technician in the person of the graphic designer forms the basis for his capacity to assert his role strongly — and to take his own specific action as an individual who is a part of civilization. I believe that the social function of the graphic designer is a subject to be approached through opinions and persuasion rather than through logic and knowledge.

“Life will always be hard enough to prevent men from losing the desire for something better,” Maxim Gorky said. The graphic designer’s social responsibility is based on the wish to take part in the creation of a better world. It seems simple to declare such a principle, but given the contradictions of real life, the principle does not lead readily to practical rules of behaviour.

>  14 September 2009, 1:02:33 PM | LINK | Filed in
783. Transition Towns There’s a movement stirring. Through municipal engagement and intervention, local communities are reengineering their towns to thrive after peak oil and climate change. What started in Wales has spread across the UK, Ireland and the world.
>  30 September 2009, 8:27:58 AM | LINK | Filed in
784. Color of Slow “San Francisco transportation planners, looking for a way to make Market Street safer for pedestrians and bicyclists, decided Tuesday to scrap their earlier idea of tinting the asphalt at two dangerous Market Street intersections a brick-red color to grab drivers' attention. After consulting the color chart and state traffic code, they opted for beige.”
>  30 September 2009, 8:29:33 AM | LINK | Filed in
785. Color of Empire “Iranian activists — trying to blanket New York City with their trademark green color — lobbied to bathe the top of the Empire State Building in green light all this week during their rallies against Iran’s president, who is visiting the United Nations. The request was rejected. But on Thursday, to the protesters’ delight, it will be green anyway, for another reason: an ‘Emerald Gala’ for the 70th anniversary of the film ‘The Wizard of Oz.’”

In other news, today the building will be lit red and yellow in honor of the 60th anniversary of communist China.
>  30 September 2009, 9:11:37 AM | LINK | Filed in
786. re-nourish Are you a graphic designer confused by all this sustainability hoohah? Re-nourish is a gentle introduction and lucid primer on greening your business and its product. It’s also up for a Cooper Hewitt People’s Choice Design Award (and is currently in second place.) A win would send a clear signal to the design community. Vote today!
Re-nourish

Update 11/1/09: The voting is over and re-nourish has placed in the top three in the People’s Design Awards! They’ve released a statement about the awards and the implications for sustainable graphic design.
>  8 October 2009, 5:03:46 PM | LINK | Filed in
787. Peace, Love, and Geert Wilders Two young Dutch designers, Pinar&Viola, sent this clean video re-edit of far-right MP Geert Wilders preaching peace and universal human rights. It's a stark contrast to his usual rhetoric, but also a compelling visualization of some parallel world where politicians stood up for things that matter.
>  16 October 2009, 1:43:32 PM | LINK | Filed in
788. Publishers with a Purpose “A group of online publishers who have pledged 5% of their total ad inventory to selected nonprofits and social causes, with the shared goal of making a difference in our neighborhoods and around the world by grouping together.” Some big, independent blog networks are doing this.
>  16 October 2009, 6:57:09 PM | LINK | Filed in
789. Semper Fi

I thought this anti-recruiting action at Georgia College and State University was to the point. Thanks to graphic artist Bill Fisher for the documentation.

Semper Fi

Semper Fi

>  21 October 2009, 8:11:09 AM | LINK | Filed in
790. Going Rouge On November 17, Sarah Palin’s memoir Going Rogue: An American Life will be released. That same day, two senior editors at The Nation will publish Going Rouge: Sarah Palin, An American Nightmare, a book of critical essays on her background, policies, and relationship to the Republican Party. In addition to the title play, the book uses its cover type and photo treatment to good effect. (via)
going-rogue.jpeg
>  22 October 2009, 11:13:01 PM | LINK | Filed in



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