Last week, the New York Times ran a sober photo essay on the ghost bikes that Visual Resistance and Time’s Up! have been installing around New York City since June 2005. The bikes are public interventions, a grassroots action in the spirit of graffiti memorial walls. The bikes are painted white and chained near the site where a cyclist was killed by an automobile, along with a plaque with their name and the date they were killed. Several are plotted on this map.

The bikes were inspired by a similar project in St. Louis, and have since appeared in cities across the U.S. and the U.K.

A 2005 report on bicycle fatalities from the New York City police, parks, health, and transportation departments reports that between 1996 and 2005, 225 bicyclists were killed in crashes with motor vehicles. Between 1996 and 2003, 3,462 NYC bicyclists were seriously injured in crashes.While the annual number of serious injuries has decreased, deaths remained steady during the 10-year period.

The statistics show a failure of urban design and policy — 89% of crashes occurred at or near intersections, 92% of bicyclist fatalities resulted from crashes with motor vehicles — as well as the absence of personal equipment: 97% of the bicyclists who died were not wearing a helmet. 74% of the fatal crashes involved a head injury.

While it’s clear that helmets save lives, something else is broken in NYC: of the 3,964 transportation-related deaths in New York City between 1996 and 2005, only 6% were cyclists. Almost half the deaths (49%) were pedestrians.

“NOTHING appears more surprizing to those, who consider human affairs with a philosophical eye, than the easiness with which the many are governed by the few; and the implicit submission, with which men resign their own sentiments and passions to those of their rulers. When we enquire by what means this wonder is effected, we shall find, that, as FORCE is always on the side of the governed, the governors have nothing to support them but opinion. It is therefore, on opinion only that government is founded; and this maxim extends to the most despotic and most military governments, as well as to the most free and most popular.” More...

The Geneva Conventions were amended today to address a question of branding.

The Third Additional Protocol to the 1949 Geneva Conventions entered into force today, completing the process of establishing an additional emblem for use by Governments and the International Red Cross and Red Crescent Movement. So far, 84 States have signed the Third Protocol and nine States have ratified it.

The red crystal symbol is now officially recognized under international law as offering equal protection as the red cross and the red crescent when marking: “military medical personnel, establishments and transport; the staff of national societies; staff, vehicles and structures of the ICRC and the International Federation.”

From the ICRC Factsheet:

“The new symbol is intended to facilitate access by humanitarian workers to victims of conflict and other crises, in particular in situations where the use of an emblem devoid of any perceived political, religious, cultural and connotations may be an advantage.”

See the full text of the Additional Protocol. (Thanks, Romualdo!)

The Wikipedia article on the Red Crystal summarizes the debates over religion, politics, and the origins of the various symbols used by humanitarian aid organizations.

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Also from Wikipedia, the Red Swastika is a symbol used by a voluntary charitable association founded in China in 1922:

“Suppressed by during the Communist rule in mainland China, the Red Swastika Society appears to continue today as a religious organization focused on charity. It has branches in areas of the Chinese diaspora, with a headquarters in Taiwan. Besides charity work, the Red Swastika runs two schools in Hong Kong (Tuen Mun and Tai Po) and one in Singapore (Red Swastika School).

The Red Swastika was also suggested along with Red Wheel, as an emblem of International Federation of Red Cross and Red Crescent societies for India and Sri Lanka, but the idea was not put into practice.”

The American labor movement has an amazing history of graphic production, creating some of the most effective political images in the history of this country. However, work and workers, along with the labor movement, are often depicted as experiences of the American past: photographs of children in factories in the early 1900’s, paintings of Joe Hill or Rosa Parks, historic strikes and Rosie the Riveter.

Now the labor movement needs new images of the issues confronting workers today. We are asking innovative artists to create posters that relate to today's workers.  Twenty-five posters will be chosen to exhibit.  Five designs will be selected for mass printing and distribution in union halls, schools, and community centers around the country. 

A great action in NYC, taping placards over those outdoor video billboards attached to subway entrances. The typography is composed of holes in the board, illuminated by the video ad beneath.

The project is Light Criticism, brought to you by the Anti-Advertising Agency and the Graffiti Research Lab.

In form, it reminds me of the work of Moose, writing his name on walls by cleaning them.

In context, it’s a lot like this guerilla wayfinding campaign, a grassroots, illegal action for civic improvement.

The opposite of shoplifting, shopdropping is covertly placing merchandise on display in retail environments.

For instance, Banksy altering the Paris Hilton debut album and leaving it at the record store to critique and politicize its message, or the Barbie Liberation Organization swapping the voice hardware of Teen Talk Barbie and the Talking Duke G.I. Joe doll and returning the dolls to the shelves. (Instructions here.)

A new project from the Anti-Advertising Agency is PeopleProducts123. From the Web site you can download PDFs of new packaging for products, print them out, color them in, and place them in your local store. The improved packaging featuring images and stories about the workers who make them. 

Participants are encouraged to upload their images to Flickr, tagged peopleproducts123. See a video about the project here.